After long-term challenges with widespread piracy and a widely 
disparate radio and record industry, a burgeoning legitimate music scene
 is fast emerging on the continent of Africa.
An expanding middle class, a fast-growing population with more than 
65 percent under  age 35,  and digital startups helping to leapfrog 
infrastructure weaknesses are making major African cities emerge as not 
only sources of great local talent that can go global in a meaningful 
way, but also markets and venues for U.S. and other global artists 
touring and selling their music.
“Africa is the last big secret in the music world, and it’s just 
about to blow up,” says Obi Asika, CEO of Lagos, Nigeria-based media and
 entertainment company, Storm 360. “In South Africa and the associated 
regions around southern Africa, [the business and music industry ] are 
much more structured, more like the West.”
Universal, the world’s largest music company, encouraged by its 
French media and telecommunications parent Vivendi, has been keeping an 
eye on the fast-evolving markets in Africa and is starting to make some 
moves there. Randall Abrahams, managing director of Universal Music 
South Africa and sub-Saharan Africa, adds, “The African industry is an 
extremely exciting and vibrant music marketplace right now.”
All of this portends good news — and visions of dollar signs — for a 
beleaguered industry on the prowl for new revenue resources. Africa is 
the world’s second-largest and second-most-populated continent with more
 than 1 billion inhabitants.
With Apple’s iTunes store due to launch in Nigeria, South Africa, 
Kenya and Ghana in 2013, Abrahams notes that the imminent arrival of 
such digital platforms aligned with ongoing advances “by continental 
collection agencies, means that the sub-Saharan territory along with 
other emerging markets is a major source of growth for Universal”…
Read More: billboard.biz

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